I'm in Texas prepping CHRISTMAS WITH THE DEAD, but my buddy Duane Swierczynski sent me an e-mail today about a neat book poll that the L.A. Times is running where you can pick your favorite novel set in Los Angeles and somehow my book, EARTHQUAKE WEATHER, has been nominated. It's a big field and I'll need all 41 of my "followers" to cast their votes for me if we hope to knock off the likes of Nat West and Tommy Pynchon. But I know we can do it!
Please click on the link below and start stuffing the ballots now!
Here's the interesting tie-in that I was talking about last week. (You can't see me in this shot because I'm behind the camera - where I should always stay.)
Read all about it from Michael Connelly himself, then listen to the cool interview linked below:
Clapton & Me I first heard the sound of Eric Clapton's guitar in a friend's garage in 1969. It was the only place we were allowed to turn it up loud. Needless to say, I've been a fan ever since. I've tracked his career, read his autobiography, watched him play live and listened to his recordings it seems for all of my life.
As a writer, music is important to me. It is routine for me to place the music I am listening to and care about in my books. Harry Bosch's taste in jazz comes from me. Cassie Black's love of Lucinda Williams was inspired by my love of Lucinda Williams. And Mickey Haller's musical interests that wander from Tupac Shakur to Ry Cooder and everywhere in between once again come from me.
It doesn't matter to me that a musical reference on a written page cannot impart the audible journey to the reader. I was on the journey when I wrote that page and that is what matters most. I had to listen to that music to write that page. And if the reader gets something from the reference, if it helps the reading experience or plants a musical suggestion, then that is just icing on the cake.
So with all of that in background, it was one of best moments of my writing life when three years ago I received a message purportedly from Eric Clapton and delivered through this website. It simply said, "Tell Mr. Connelly I appreciate the mention in the new book."
I have to admit I was tantalized. Could it be him? Could it be the real Eric Clapton? The Eric Clapton of Cream, Blind Faith, and Derek and the Dominoes? The man who sang "Bell Bottom Blues" and "Layla" and "Wonderful Tonight"?
I wrote back, cautiously. On guard in case I was being victimized by an imposter or a prankster. It led to a tentative email relationship and then a friendship. And now it leads to this unusual cross promotion of music and written word. In The Fifth Witness, Mickey Haller listens to Clapton. Not just Eric Clapton but Clapton, the new album. In particular he's listening to "Judgement Day" when in effect it is a judgment day in the story. And now you can too, thanks to the free download of the song offered on this page.
I hope you enjoy the song and my interview with Eric that took place recently at a Los Angeles recording studio. I hope it all helps you enjoy riding with Mickey Haller through the book. I've been riding with Eric Clapton's music for forty-two years. Maybe your journey has just begun.
— Michael Connelly
