JAFO
Just Another F#%@ing Observer
Saturday, April 20, 2013
Monday, March 11, 2013
And now a word from Scott Phillips about BLONDE LIGHTNING....
If you don't already know who Scott Phillips is, your life is incomplete. He's written six of the most interesting books you could lay your hands on, starting with THE ICE HARVEST, which was made into a very entertaining film starring John Cusack and Billy Bob Thornton. His books are funny, touching and outrageous (but not for the weak of heart). This is his introduction to BLONDE LIGHTNING. If you're not convinced to give that book a try when your finished reading it, just pick up THE ICE HARVEST and work your way through Scott's oeuvre. You'll be glad that you did.
Terrill
Lee Lankford is one of the funniest and most opinionated people I
know. He’s also got a long and torturous track record in Hollywood,
the result of years of grunt labor in the deepest, darkest pits of
the industry in a variety of jobs—screenwriter, second unit
director, production manager, director, actor. Some of these films
he’d probably rather I didn’t mention, some of them are not to be
missed (if you can, check out the excellent “South of Reno,”
featuring a small role for an unknown named Billy Bob Thornton) and
at least one of them exists in a mysterious cinematic quantum state
between the two: the sublime and ghastly “Hollywood Chainsaw
Hookers.” These days Doc Lankford walks a classier stretch of
Hollywood Boulevard than before, but it’s those low budget days
that formed his take on the Damned Movie Business. If you ever get a
chance to talk to him on the subject you’re in for a very
entertaining earful.
If you don’t get that
chance, the next best thing is reading Blonde Lightning. I first read
it years ago in manuscript form, when it and its companion novel
(“Earthquake Weather,” also available as an e-book and equally
worth your time and coin) were a single entity. In these books he
nails a certain dank, desperate corner of LA life that’s home to
those who are part of the Industry but not entirely accepted within
it, who are obsessed with said Industry while being treated brutally
by it, who loath it without being able to pull away from it. It’s a
lot like a mutually destructive romantic relationship (and the books
are full of those, too.)
I read it for the third
time not long ago, and it struck me once again as one of the truest
accounts I’d ever read of Hollywood culture. Certain Movieland
fiction—Fitzgerald’s Pat Hobby stories, John O’Hara’s The Big
Laugh and Michael Tolkin’s The Player are all good examples––never
really get old, because even in the face of massive tumult in
technology and in the culture at large, the human forces of artistic
ambition pitted against greed and sheer lust for power never change.
The technical details of the filmmaking in Blonde Lightning are, in
this digital age, already the stuff of history; the story told
therein will still be fresh in eighty years.
--Scott
Phillips
Saturday, March 9, 2013
Friday, March 8, 2013
NOW SHOWING!
After much technical confusion in the jungle, the eBook version of BLONDE LIGHTNING is finally available on Amazon for the price of a Venti White Chocolate Mocha. This is the 2006 sequel to my novel EARTHQUAKE WEATHER, both originally published by Ballantine Books. If you haven't read that first book, it's available for FREE through the weekend so you can be up to speed when you hit BLONDE LIGHTNING.
I'll be posting a bunch of stuff about these two books over the next few days to try to drive some interest, so please be patient with me. It will all be over soon.
If you've read either of these books and enjoyed them, a good review on that site does wonders. I've watched the good reviews drive sales and the bad ones kill them. It DOES matter. If you have a moment to put a few words down over there it would be greatly appreciated.
Thanks!
Monday, December 24, 2012
Monday, December 10, 2012
Back in August I shot a couple of music videos for my favorite band, SPENCER THE GARDENER, as they played three concerts in Santa Barbara during the Fiesta. Their new album, BREAKING MY OWN HEART, just dropped, and so did the first of the videos. Check it out here:
And pick up that album, available on the link. It's great.
Saturday, October 20, 2012
Michael Connelly's introduction to Earthquake Weather
Yes, Mike and I are friends and we work together on a lot of things. But he's the most honest guy I know, so I doubt there's a word of this he doesn't believe. It's worth reading as a beautiful piece of writing about Los Angeles, even if you are not interested my work.
THE BIG MIRAGE
The City of Angels is supposed to be a desert. Los Angeles is a mirage created with water channeled and piped in from hundreds of miles away. Those palm trees aren’t supposed to be here. The lush green hillsides should be desolate and stark. In many ways that makes L.A. simply the world’s biggest set and it seems both telling and right that this is the place where we find Hollywood. Hollywood is the Big Mirage, a place where nothing and nobody is real, where faces and breasts and morals and motives are synthetic and always changeable. You don’t like this one? Then how about this one?
Perhaps no writer
knows this turf better than Terrill Lee Lankford. Perhaps no book has
defined it better than this one – and, I might add, from the very
first line: I don’t believe in Heaven or Hell, but on any given
night Los Angeles can do a pretty good imitation of either locale.
That says it all.
Lankford uses the crime genre as the frame within which he hangs his
painting of a place in turmoil. It is not a thick, obvious frame. It
is thin, just enough to be noted at the margins. The painting is a
story set in a place turned upside down by nature. Lankford uses an
earthquake to viciously awaken the inhabitants from moral slumber. He
turns the city on its side and casts our protagonist Mark Hayes on a
journey across the treacherous landscape. I have read all of the
author’s books and this no doubt is the masterpiece – so far.
This is an
introduction, not an afterword, so this is all I’ll tell you in
specific. You’re in for a great ride. You’ll learn things and
you’ll question things. You will have emotional reaction and there
is no more that you can ask of a writer.
But
now for full disclosure. I know Terrill Lee Lankford. To act as
though I am some sort of objective observer of the written word would
be false. I have palled around Hollywood and L.A. with him for more
than fifteen years. We’ve been in movie studios together, police
stations, bookstores – I once missed a chance to visit a crack
house with him. (Research, of course.)
We
have even been in each other’s books – me in this one, Lankford
in The Lincoln Lawyer. His “character” even made the jump
to the screen with the movie adaptation earlier this year. But what
drew us together many years ago and what still binds us as friends
and colleagues now is the City of Angels and it’s so-hard-to-grasp
ethos. It’s a love/hate thing from the writer’s perspective. Who
wouldn’t want to write about L.A.? There are so many ways to live
and so many ways to die. It is cultural mecca and meltdown,
autopia and dystopia, it is contradiction after contradiction. It
is palm trees in the desert and, believe me, all of this is pretty
goddamn hard to get right on the page. I have always called Lankford
the most cynical man I know. Read this book and you may agree. But in
reassessing this book now so many years after reading it the first
time, I have to add that he may be the most honest writer I know. In
this book he proves it. He captures in these pages the real L.A. He
goes beyond the mirage to the dark heart that beats beneath it.
Let me spoil one
paragraph by leaving you with this little cut from the book. Once
again, Lankford says all that needs to be said.
We turned left
on Hollywood Boulevard and I surveyed the ruins. Actually, it was
hard to tell the difference from the way the Boulevard had looked
before the quake. There was a little more yellow crime scene tape
apparent, a few more broken windows dotted the landscape, and a
couple of the buildings had been red tagged, but Hollywood Boulevard
had been a disaster area for years.
So too, then, has
been the larger, more mythical place called Hollywood. It’s now
time for the expert guide’s private tour.
-- Michael Connelly
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